Last Museum presenta una interfaz de búsqueda para 6.308.174 obras de arte. El proyecto describe la colección como procedente de grandes museos. Entre los ejemplos de búsqueda aparecen «propaganda poster», «renaissance portrait», «abstract geometric shapes», «japanese woodblock print of birds» y «surrealist dreams». El filtro de fechas abarca desde 3000 a. C. hasta 2026.

La página muestra Under the Wave off Kanagawa, de Katsushika Hokusai, 1830–1833; Girl with a Pearl Earring, de Johannes Vermeer, 1665; The Starry Night, de Vincent van Gogh, 1889; The Scream, de Edvard Munch, 1893; The Arnolfini Portrait, de Jan van Eyck, 1434; The Japanese Footbridge, de Claude Monet, 1899; Las Meninas, de Velázquez, 1656; A Bar at the Folies-Bergère, de Edouard Manet, 1882; Heart of the Andes, de Frederic Edwin Church, 1859; The Milkmaid, de Johannes Vermeer, 1660; Kameido Bridge, Tokyo, de Yoshida Hiroshi, 1927; The Night Watch, de Rembrandt, 1642; Washington Crossing the Delaware, de Emanuel Leutze, 1851; Travelers on the road to Shu, de Qiu Ying, 1700–1709; The Kitchen Maid, de Rembrandt, 1651; An Experiment on a Bird in the Air Pump, de Joseph Wright, 1768; Melencolia I, de Albrecht Dürer, 1514; Hope, de George Frederic Watts, 1886; The Crucifixion; The Last Judgment, de Jan van Eyck, 1440–1441; y Kannon Temple at Iwaidani, Tajima Province, de Utagawa Hiroshige, 1853.

La selección incluye además Jean de Dinteville and Georges de Selve ('The Ambassadors'), de Hans Holbein the Younger, 1533; Napoleon Crossing the Alps, de Jacques Louis David, 1802; The Magdalen Reading, de Rogier van der Weyden, 1438; The Hangover (Suzanne Valadon), de Henri de Toulouse-Lautrec, 1887–1889; Circus Sideshow (Parade de cirque), de Georges Seurat, 1887–1888; The Raising of Lazarus, de Sebastiano del Piombo, 1517; Snow Storm: Hannibal and his Army Crossing the Alps, de William Turner, 1812; The Guitar Player, de Johannes Vermeer, 1672; Cleopatra's Arrival in Cilicia, de William Etty, 1821; Ophelia, de Sir John Everett Millais, 1851; Portrait of a Man ('Léal Souvenir'), de Jan van Eyck, 1432; The Destroying Angel and Daemons of Evil Interrupting the Orgies of the Vicious and Intemperate, de William Etty, 1822–1832; Lot and His Daughters, de Orazio Gentileschi, 1622; The Rhinoceros, de Albrecht Dürer, 1515; The Cornfield, de John Constable, 1826; Football Players, de Albert Gleizes, 1912–1913; Raphael and the Fornarina, de Jean Auguste Dominique Ingres, 1814; Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, de Jean Auguste Dominique Ingres, 1851–1853; Virgin and Child with Saints Catherine of Alexandria and Barbara, de Hans Memling, 1480–1483; y Vita beatae Hedwigis, de Nicolaus of Prussia, 1353.